Respect For The Masters: Isaac Asimov

Isaac Asimov born Isaak Yudovich Ozimov (January 2, 1920– April 6, 1992) was an American author and professor of biochemistry at Boston University, best known for his works of science fiction and for his popular science books. Asimov was one of the most prolific writers of all time, having written or edited more than 500 books and an estimated 90,000 letters and postcards. His works have been published in all ten major categories of the Dewey Decimal System (although his only work in the 100s—which covers philosophy and psychology—was a foreword for The Humanist Way).
Asimov is widely considered a master of hard science fiction and, along with Robert A. Heinlein and Arthur C. Clarke, he was considered one of the "Big Three" science fiction writers during his lifetime. Asimov's most famous work is the Foundation Series; his other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are explicitly set in earlier history of the same fictional universe as the Foundation Series. Later, beginning with Foundation's Edge, he linked this distant future to the Robot and Spacer stories, creating a unified "future history" for his stories much like those pioneered by Robert A. Heinlein and previously produced by Cordwainer Smith and Poul Anderson. He wrote many short stories, among them "Nightfall", which in 1964 was voted by the Science Fiction Writers of America the best short science fiction story of all time. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French.
The prolific Asimov also wrote mysteries and fantasy, as well as much non-fiction. Most of his popular science books explain scientific concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. He often provides nationalities, birth dates, and death dates for the scientists he mentions, as well as etymologies and pronunciation guides for technical terms. Examples include Guide to Science, the three volume set Understanding Physics, Asimov's Chronology of Science and Discovery, as well as works on astronomy, mathematics, the Bible, William Shakespeare's writing and chemistry.
Science fiction
Asimov first began reading the science fiction pulp magazines sold in his family's confectionery store in 1929. He came into contact with science fiction fandom in the mid-1930s, particularly the circle that became the Futurians. He began writing his first science fiction story, "Cosmic Corkscrew", in 1937, but failed to finish it until June 1938, when he was inspired to do so after a visit to the offices of Astounding Science Fiction. He finished "Cosmic Corkscrew" on June 19, and submitted the story in person to Astounding editor John W. Campbell two days later. Campbell rejected "Cosmic Corkscrew", but encouraged Asimov to keep trying, and Asimov did so. Asimov sold his third story, "Marooned Off Vesta", to Amazing Stories magazine in October, and it appeared in the March 1939 issue. He continued to write and sometimes sell stories to the science fiction pulps.
In 1941, he published his 32nd story, "Nightfall", which has been described as one of "the most famous science-fiction stories of all time".[42] In 1968 the Science Fiction Writers of America voted "Nightfall" the best science fiction short story ever written.[38] In his short story collection Nightfall and Other Stories he wrote, "The writing of 'Nightfall' was a watershed in my professional career ... I was suddenly taken seriously and the world of science fiction became aware that I existed. As the years passed, in fact, it became evident that I had written a 'classic'."
"Nightfall" is an archetypal example of social science fiction, a term coined by Asimov to describe a new trend in the 1940s, led by authors including Asimov and Heinlein, away from gadgets and space opera and toward speculation about the human condition.
By 1941 Asimov had begun selling regularly to Astounding, which was then the field's leading magazine. From 1943 to 1949, all of his published science fiction appeared in Astounding.
In 1942 he published the first of his Foundation stories—later collected in the Foundation Trilogy: Foundation (1951), Foundation and Empire (1952), and Second Foundation (1953)—which recount the collapse and rebirth of a vast interstellar empire in a universe of the future. Taken together, they are his most famous work of science fiction, along with the Robot Series. Many years later, due to pressure by fans on Asimov to write another,[25] he continued the series with Foundation's Edge (1982) and Foundation and Earth (1986), and then went back to before the original trilogy with Prelude to Foundation (1988) and Forward the Foundation (1992). The series features his fictional science of Psychohistory in which the future course of the history of large populations can be predicted.
His positronic robot stories—many of which were collected in I, Robot (1950)—were begun at about the same time. They promulgated a set of rules of ethics for robots (see Three Laws of Robotics) and intelligent machines that greatly influenced other writers and thinkers in their treatment of the subject. Asimov notes in one of his biographical pieces that he was largely inspired by the almost relentless tendency of robots up to that time to fall consistently into a Frankenstein plot in which they destroyed their creator. One such robot story, a short titled "The Bicentennial Man", was made into a film starring Robin Williams.
The 2004 film I, Robot, starring Will Smith, was based on a script by Jeff Vintar entitled Hardwired, with Asimov's ideas incorporated later after acquiring the rights to the I, Robot title.[43] It is not related to the I, Robot script by Harlan Ellison, who collaborated with Asimov himself to create a version that captured the spirit of the original. Asimov is quoted as saying that Ellison's screenplay would lead to "the first really adult, complex, worthwhile science fiction film ever made". The screenplay was published in book form in 1994, after hopes of seeing it in film form were becoming slim.
Besides movies, his Foundation and Robot stories have inspired other derivative works of science fiction literature, many by well-known and established authors such as Roger MacBride Allen, Greg Bear, Gregory Benford and David Brin. These appear to have been done with the blessing, and often at the request of, Asimov's widow Janet Asimov.
In 1948 he also wrote a spoof chemistry article, "The Endochronic Properties of Resublimated Thiotimoline". At the time, Asimov was preparing his own doctoral dissertation, and for the oral examination to follow that. Fearing a prejudicial reaction from his graduate school evaluation board at Columbia University, Asimov asked his editor that it be released under a pseudonym, yet it appeared under his own name because of a mistake by the publisher. During his oral examination shortly thereafter, Asimov grew concerned at the scrutiny he received. At the end of the examination, one evaluator turned to him, smiling, and said "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". The hysterically laughing Asimov was led out of the room then. After a 5-minute or so wait, he was summoned back into the Examination Room and congratulated as "Dr. Asimov".
In 1949, the book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished novelette "Grow Old Along With Me" (40,000 words) for publication, but requested that it be extended to a full novel of 70,000 words. The book appeared under the Doubleday imprint in January 1950 with the title of Pebble in the Sky. The Doubleday company went on to publish five more original science fiction novels by Asimov in the 1950s, along with the six juvenile Lucky Starr novels, the latter under the pseudonym of "Paul French". Doubleday also published collections of Asimov's short stories, beginning with The Martian Way and Other Stories in 1955. The early 1950s also saw the Gnome Press company publishing one collection of Asimov's positronic robot stories as I, Robot and his Foundation stories and novelettes as the three books of the Foundation Trilogy. More positronic robot stories were republished in book form as The Rest of the Robots.
When new science fiction magazines, notably Galaxy magazine and The Magazine of Fantasy & Science Fiction, appeared in the 1950s, Asimov began publishing short stories in them as well. He would later refer to the 1950s as his "golden decade". A number of these stories are included in his Best of anthology, including "The Last Question" (1956), on the ability of humankind to cope with and potentially reverse the process of entropy. It was his personal favorite and considered by many to be equal to "Nightfall".
In December 1974, former Beatle Paul McCartney approached Asimov and asked him if he could write the screenplay for a science-fiction movie musical. McCartney had a vague idea for the plot and a small scrap of dialogue; he wished to make a film about a rock band whose members discover they are being impersonated by a group of extraterrestrials. The band and their impostors would likely be played by McCartney's group Wings, then at the height of their career. Intrigued by the idea, although he was not generally a fan of rock music, Asimov quickly produced a "treatment" or brief outline of the story. He adhered to McCartney's overall idea, producing a story he felt to be moving and dramatic. However, he did not make use of McCartney's brief scrap of dialogue, and probably as a consequence, McCartney rejected the story. The treatment now exists only in the Boston University archives.
Beginning in 1977, Asimov lent his name to Isaac Asimov's Science Fiction Magazine (now Asimov's Science Fiction) and penned an editorial for each issue. There was also a short-lived Asimov's SF Adventure Magazine and a companion Asimov's Science Fiction Anthology reprint series, published as magazines (in the same manner as the stablemates Ellery Queen's Mystery Magazine's and Alfred Hitchcock's Mystery Magazine's "anthologies").

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